Tom Adkins
The Bus To Tokenville
And the racist award goes to …
Halle Berry cradled her Oscar, voice trembling, history upon
her shoulders…the first black woman to win an Oscar for Best
Actress. Hooray! Berry tearfully recalled a few of the fabulous
women of color who closed out careers empty handed, denied by
the Academy of their peers. She breathlessly cried, "I’m so
honored! And thank the Academy for choosing me to be the vessel
from which this blessing might flow."
Thank you? Honor? Blessing? Wait a second. Why would Berry or
anyone of color grovel towards this most racist of all American
institutions, that took 74 years to grant its most coveted award
to a black actress? Baseball was integrated over 50 years ago.
Separate water fountains? Forty years ago. White people plunk
down millions to make Oprah the highest paid woman in the world,
Tiger the richest golfer, Jordan, Jackson, and Berry
bazillionaires. The entire KKK could fit into a bowling alley.
Black kids even fork up millions to hear white rapper Eminem
swear his way up the charts. And if Colin Powell runs for
president, we’ll have black politicians at every level in America.
America is shedding racism and black people have "made it" in
virtually every facet of American life except the skinhead
movement.
And apparently, ultra-liberal Hollywood.
Think of those great black actresses Berry cited. Dorothy Dandridge,
Lena Horne, Diahann Carroll, Angela Bassett…Did Ronald Reagan
steal their Oscar? Did George Bush recount the Academy chads?
No…white Hollywood liberals, gushing about "diversity" and "justice"
took SEVENTY FOUR YEARS to allow a black woman the "honor" of
accepting an Oscar. While the rest of America has moved decisively
towards meritocracy, liberals retrenched two hundred years of a
back scratching, exclusionary good old boys network. Hollywood
isn’t just upholding centuries of racist liberal tradition;
Hollywood is shining the beacon.
The tokenism of this event is as enraging as the countless dreams
deferred in Hollywood. Nobody can claim there haven’t been deserving
black actresses in previous years. In an obvious ploy, Denzel
Washington got an Oscar for a mundane performance, when he should
have easily won years ago for his spectacular razor-edged
performance in "Malcolm X." The Academy sealed the "black agenda
night" by trotting out a generic "honorary award" for Sidney
Poitier, the last and only previous black Best Actor winner 38
long years ago. The audience swooned. Not for Berry, Washington
or Poitier, but for themselves. "We’re so compassionate! See? We
just gave some Colored Folk a prize. Aren’t we wonderful?"
Yet tomorrow, black people will still worship these arrogant
racists. I am sick.
After Black America was pried away from the Republicans that
emancipated their ancestors, they re-enslaved themselves to
the Democrats that first stole their freedom. Like the battered
wife who returns home for another whipping, Black America
gratefully embraces the chains of the liberal plantation in
a twisted abuser/enabler relationship, afraid of that freedom.
The pitch comes at election time…"I feel your pain…here’s a
few bucks…thanks for voting. See ya…" Then, the Great American
Liberal slips into the limo and retreats to the hills behind
high-walled havens, away from the mayhem.
Meanwhile, Berry will cherish her Oscar, deluded into believing
she broke some glass ceiling blocking the mountaintop of acting
achievement. Washington will place his cheap souvenir on the
mantle, surrounded by empty spaces of previously deserved Oscars.
Poitier will go home clutching his award in place of the closetfull
he never got. Because Hollywood has once again done exactly what
liberals have done for centuries: diminish and exploit black people
for profit and power, then offer a few scraps to shut them up. And
black people let them get away with it.
The cry among black leaders is, "We’ve come so far…but we have so
far to go." Further than you think. In 1940, Hattie McDaniel became
the first black actress to receive an Oscar, as Mammy the Maid in
"Gone With The Wind." She wisely proclaimed, "I’d rather play a maid
for $700 a week than be a maid for $7," yet her next 21 movie roles
were primarily as Hollywood saw her: a maid. Unfortunately many
black people will also perceive the 2002 Academy Awards a moment
of "arrival." Meanwhile, tomorrow morning, black actors will still
answer casting calls for pimps, hos and streetwise clowns. As long
as Black America keeps buying the ticket for the wrong bus,
"arrival" never comes. For the racist troglodytes of liberal
Hollywood, the Black Actor will always ride at the back of the
bus to Tokenville.